MIXTAPE: Night Drive

I made this mixtape because I’ve been spending about four to five hours on the road every day since 2006 (since I started going to college). I never really – entirely – loathed the commute, especially along the expressway. It’s a great break from the hustle and bustle of the city, allowing me to mull over things or just relax. The best time of these road trips are at night, especially late at night during weekends – a few souls inside one vehicle, lost in his or her own little bubble – with nothing else but lights and the road ahead of them. Nothing is more calming than the breeze and the solitude, the quiet unique to driving at night.

So here’s a mixtape for y’all! I makes all sorts of playlists/mixtapes, depending on my mood or the occasion. But I never really got the chance to share most of them a.k.a lazy.

Zip folder via Dropbox

Tracklist:

Screen Shot 2013-11-26 at 3.34.24 AMEnjoy!

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Photo from the film, Taxi Driver (1976). No copyright infringement intended.

Note: These songs are not meant to promote piracy or copyright infringement, but merely for entertainment purposes.

PICK: ‘Midnight Love’ and ‘Perfect Tomorrow’ – Mokhov

I literally stopped what I was doing when I heard these tracks.

 

Props for “Perfect Tomorrow” simply because of the funky guitar rhythm (something unapologetic that I came to really love ever since I caught the Nile Rodgers fever in Daft Punk’s “Lose Yourself To Dance”).

Here’s the rest of the Mokhov’s debut album, Halcyon Days. 

 

RAVE: ‘Perfect Dream’ – Mokhov

I might as well start a daily work playlist, given my current job now that gives me a privilege of working at my own pace – which means I relatively have an ample amount of time to engage on my music-hunting. To be honest, I do this out of want, not out of need.

No such thing as too much music.

I opted to navigate through Bandcamp because SoundCloud takes more time to scour on singles, rather than albums. Besides, sometimes, one Bandcamp album stream is already enough for me (EP or not). And I try to discover more artists depending on sound than name (I’m bad at names anyway).

So for Tuesday, I decide to mellow down a little bit, because whatever I do, my mind aches for soothing audio therapy. Here’s an ambient electronica compilation from Las Vegas-based producer Mokhov.

PLAYLIST: Underwater

From June to probably until the latter part of the year, all the humidity and sweat and rage that summer brought upon us will be doused (pun, pun, pun) with tunes that will either trigger your sap center or your loins. I don’t mind. This, and the excuse to lump with several layers of clothing and eat thrice as much is the best part of the rainy season. And lookie here, a conductor to write!

I love this list of 15 Songs That Make You Feel Like You’re Underwater put up by Pigeons and Planes earlier this year. If you have been reading my tweets or posts, you know I have an unfaltering romance for electronic music (almost as equal as my love for hip hop – well, basically instrumental music that kicks ass). I’ve compiled all the songs to make it easier to stream and hopefully (if ever I become as industrious as today) make my own.

1. Yuna, enough said. Also, check out another favorite, Live Your Life, which I discovered through playing Tap Tap Revenge 4!

2. Hip hop-electro marriage.

3. Always had a crush on Ellie Goulding’s vocals (and locks). This cover of The Weeknd, remixed by Xaphoon Jones is just melismatic.

4. Ryan Hemsworth’s one credible remix artist (at least that’s how he is being categorized, and not for a bad reason). Snobs (who are mostly just hacks) who insist that remixes are some sort of inferior type of music should drown in this. Oh, and did I mention this is a Shlohmo remix? Just listen.

5. FlyLo, of course. Genre-bending FlyLo.

6. Tom Krell is like Triton of this list.

7. Lapalux has been a consistent player in the remix (yes, another one) game and in this particular rework of Breton’s ‘The Commission’, his aquatic centre remix just molded beautifully with the original.

8. The original is a painfully stellar indie pop that’s almost unrecognizable after Perseus’s handwork. Jessie Ware’s powerful vocals glinted against a more somber and soulful arrangement (makes me think of a lost siren).

9. Ocean floor power.

10. XXYYXX (he/she has to come up with another monicker, stat) is described as ‘one of the leaders in the surge of bedroom producers finding their way into the mainstream’. This one makes me forget my name as much as I forget how to spell his name.

11. *sigh*

12. Like you’re sleeping on the ocean floor and hearing unnamed water creatures hauntingly singing you to sleep.

13. Xanax sonics.

14. Cinematic and heavenly.

15. One of my favorites. We need some underwater love, too.

Photo from monday-special.com

Reticence: Thoughts on Instrumental Music

The power behind instrumental and electronic music is transcendental. There’s a thousand of possibilities a musical instrument can create. The convergence and marriage, if you must, of traditional equipment and technology are breaking all sorts of norms. The mixture of rawness and control, thundering decibels, the pumping and smashing slays of guitars which thump ghostly vocals refusing to simper behind, and its ability to overturn the earth’s axis in a matter of minutes. The wordlessness amplifies every height and depth of emotion, resurrects forgotten feats, rediscovers innocence, and breaks the chain of numbness.Note that when I say ‘instrumental music’ does not mean, nor it is limited to classical music. It spans all genres across borders. Not to stray too far ahead are our very own bands and acts from home. First, Encounters with a Yeti, cutting through stones and stripping pretensions with their music. From the first few innocent strings of ‘Alloys Bring The Future Together’ to the somber tinkering and later, trailblazing lines of ‘All Your Children Want For Dinner Is You’, their debut album, Pilot, is a rapture of cosmic proportions. And speaking of the cosmos, Earthmover translates unearthly sounds in human sound waves with their dark, brooding, and heavy arrangements. The trick is that they propel us into the vast unknown, leave us suspended mid-space, then let gravity pull us back to the ground – slowly. Not too far behind is Hatchobanko, with a spectrum of longing, melancholy tracks. You are left vulnerable, spinning towards a vacuum of ruminating sounds – profoundly sampled in ‘Onward Came The Meteors’. But probably the one with the lightest approach from this short lineup is tide/edit, whose music is a little more crafted in numbers, not too loose, not too tight, and spared with high-water marks. They somehow tip the scale to balance out and smooth the edges of post-rock’s rough origin. The common ground with these bands is that they play along the lines of emotions buried in the deepest arsenal of our soul. Sounds mighty, semi-poetic and half-corny, I know. Emotions are murky and messy bits of life, but when they are reenacted through music, we still patronize and commune with it.

Its close relative, ambient music, is as powerful, as it is less aggressive and less taxing. In fact, its effect is sometimes frosting, and oftentimes, sedating. Its dreamy effects, 808s and such, sashaying tempos, washed out allure, and dramatic crescendos swirl in a hazy fume that bind us in a convoluted state of mind. Sleepwalk Circus, although they employ vocals in their songs, delivers a chock full of dreamy synths and acoustic excursions, smoothing it in soulful jazz or zoning out in shoegaze fashion. Their first album, ‘The Great Secret Show’, falls under a canopy of scenic and vivid entendres. Beatmakers Tarsius, Modulogeek, SimilarObjects, Eyedress, Nights of Rizal, Love in Athens, and acts from Deeper Manila and Number Line Records, caught everyone in their pop maladies and surprised us with groundbreaking electronic music that used to be almost exclusively heard from the European and Nordic lands, if not for the Internet. This wave of DJs, armed with their turntables, controllers, mixing boards, and other gear transform their booth into a buoyant and trippy oasis of sounds. Their symbiosis is a stark display of cutting-edge talent and lavish, creative spins, rubs, loops, synths, and beats that aim to paint the jaded with aural colors that are guaranteed to excite one’s senses. Each one delivers a distinct style, and when combined together (such as the Synth City mixtape and Deeper Manila podcast), they just create an entirely different universe for their audience – definitely no zany antics mashed in.

Instrumental music may be reticent, if we are looking for words in it, we’ll definitely not find them written by the line for us. Instead, you’ll find them forming within yourself. Or maybe there’s too many emotions at play, everything is abstract, and too many words swim inside your head, there’s only so little time that you can fish to construct the most sensitive and personal string of words you had ever came up in your life. Or maybe it’s not through words that you can convey your thoughts, but in another medium. Nevertheless, it is NOT reticent or uncommunicative at all. When they say a picture speaks a thousand words, then instrumental/electronic music makes a library.

Support our local artists. Spread the word. Buy their music and/or merchandise, attend their gigs and shows. Say hi (they say ‘hi’ back :p). Keep our local music alive and rocking.

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